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| Hyuuga Kuromori Nagato (Reserve Character) | |
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KurotsukiBlade Genin
Posts : 37 Join date : 2008-12-17
| Subject: Hyuuga Kuromori Nagato (Reserve Character) Sat Dec 20, 2008 1:01 pm | |
| [color:6d45=#fff]+ Habbo Account: KurotsukiBlade + Character Name: Hyuuga Kuromori Nagato + Character Age: 13 + Character Height: 5 feet 6 inches + Character Weight: 117 lbs + Character Blood Type: O- + Character Body build: Average Build + Character Country//Village: Konohagakure no Sato + Character Rank: Academy Student + Character Profession: Random Yardwork + Character Squad/Divison: Unassigned [color:6d45=#fff]+ Character Appearance Description: + Character Personality Description: Zoned out at times. Tries to keep a slightly pissed off look by furrowing his brows all the time in order to scare away other people. Blade Dancer Special: When taken as Primary Archetype, the character can temporarily gains access to his trained sword style’s next stage “benefits”. This only includes stage bonuses and regular techniques. This special only lasts for one post. Primary: Physical Secondary: Own Choice Tertiary: Own Choice Stat Merit: +1 to Strength, +1 to Speed, +1 to Tactics Stat Flaw: -1 to Willpower, -1 to Reserves, -1 to Power Description: These are taijutsu specialists who master techniques of the sword. They practice a style that bases are the sword and use only that for their main means of power. Unless they are fighting other Blade Dancer's, they cannot be beaten in terms of skill with a sword. Unlike most weapon specialists, Blade Dancer's usually have a lot of stamina to be able to fight up close. Human Battery Special: When taken as Primary Archetype, the character can use any jutsu one more time past the limit. May use this ability only once per thread, and stage 7 jutsu are off-limits. Any jutsu that states that it can only be used once per thread is also off limits. Primary: Chakra Secondary: Mental Tertiary: Physical Stat Merit: +2 to Reserves, +1 to Power Stat Flaw: -1 to Strength, -1 to Speed, -1 to Willpower Note: Cannot be combined with Quicksilver or Human Tank. Description: Human Battery is an Archetype that doesn't base itself around a specefic fighting style, but more on chakra. Normally the Human Battery would use Ninjutsu or Genjutsu. Like a Daredevil, but in terms of energy and chakra reserves. Can mold more chakra and draw chakra manipulation battles out longer than other Archetype's. + Character Nindo/Way of the Ninja: "Don't screw with me." + Character's Clan Name: Hyuuga + Character's Clan Members: See Clan Description + Character's Kekkei Genkai: Byakugan + Character's Kekkei Genkai Description: See Clan Description for details on the byakugan. Nagato's byakugan is interesting in the fact that it is increasing it's range at an alarming rate, soon to surpass the range of a genin. This is due to Nagato's special training and the fact that he does not have any ninjutsu elements learned at all. This contributes to a very powerful byakugan. [color:6d45=#fff]+ Character Inventory: Shaken Pouch Senbon Pouch Explosive sack/tag pouch Enormous Cleaver Rain Ninja Headband in his pouch + Character Primary Chakra Nature: Suiton + Character Secondary Chakra Nature: Raiton Undiscovered + Character Jutsu List: [color:6d45=#fe0][big][big]KENJUTSU[/big][/big] [color:6d45=#fe0][ STAGE: ONE. ] - Stances: [None.] - Regular Techniques: [None.] - Special Techniques: - Irihi no Mai; Dance of the Dawning Sun Technique. - Description: -- Like the Mikazuki no Mai, two images appear in front of the opponent. However, one clone is translucent because of the chakra being used elsewhere, and it is obvious which is the real attacker. However, the chakra from the clone is used to boost the speed of the user as he runs past the enemy in unison with his clone, and at the moment of contact with the target, the clone becomes corporeal for a split second as its sword hits the target with the wielder's sword, doing fast, quick, hard damage together in one strike. [ STAGE: TWO. ] - Stances: [None.] - Regular Techniques: [None.] - Special Techniques: - Kyokujitsu no Mai; Dance of the Rising Sun Technique. - Description: -- This improved technique allows the translucent clone created to be on the right or the left side of the opponent, instead of right beside the user. The result is a cross-formation instead of an x-formation, allowing more damage to different areas. [ STAGE: THREE. ] - Stances: [None.] - Regular Techniques: [None.] - Special Techniques: - Hiruhi no Mai; Dance of the Noontime Sun Technique. - Description: -- Now the user can place his clone directly behind the opponent, attacking in a line-formation. Speed is increased to nearly 1.5x Irihi no Mai, and the attack becomes harder to see. - Hinoiri no Mai; Dance of Sunset Technique. - Description: -- Speed is increased to nearly 2x Irihi no Mai. The user moves so fast, it appears as if he or she is a solid stream of motion. The actual strike is increased to 1.5x that of Irihi no Mai. Unique to this jutsu alone, the user can choose the placement of his clone anywhere around the target as long as the clone is the same short distance away from the target as the user is, with the increased speed and damage, of course. - Tsuki no Kenbu; Sword Dances of the Moon.
- Style Description: -- Moon Dancers are shinobi who are completely the followers of Gekkou Tokoshi's technique, the Tsuki no Kenbu. They focus on style and confusion for the perfect strike. Thus, practitioners of this style commonly like to twirl and spin their sword when fighting to make the opponent second-guess from where they may strike. In fact, Moon Dancers are most famous for being crafty… If their enemies do not have sharp eyes and swift minds, they are in deep, deep trouble. The flashy movements of these shinobi involve flowing dance steps, not so much quick as beautiful, and are very powerful, combining flair with strength. They prefer to weave as they run at a target, adding more of an overall feeling of grace rather than sheer desire to kill.
-- The special techniques are based on the phases of the moon, and built off the traditional Mikazuki no Mai (Dance of the Crescent Moon) and culminates with the use of bunshin clones dashing around the opponent in unison to shatter the opponent's target sense and practically guarantee a strike. The more advanced attacks, based off various types of moons throughout the year adds in additional circles of circling bunshins of increasing size around the user, each circle's bunshins moving in the opposite direction from the one smaller than it. For instance, if the smallest circle's bunshins around the opponent are turning left, the next largest circle circling around the target is turning right, and the next larger one left, etc. With such a beautiful and well-timed dance of so many bunshin clones moving in such perfect unison in opposite directions in increasingly larger circling rings, the opponent will be left oblivious to where the strike will come from, no matter how good their senses are.
-- However, because Moon Dancers choose style over speed, their strikes are not as fast as some other sword styles and can still be dodged if the opponent realizes where the attack is coming from. Also, weapon users enjoy less limb flexibility when fighting than pure hand-to-hand taijutsu artists, and find it especially irksome when they find themselves matched up against those who specialize in long-range attacks.
- Style Basis: Ninjutsu.
- Training Methods: -- Moon Dancers like to train with a friend or two, especially friends that won’t flinch at the possibility of getting cut once or twice. Starting off with warm-ups, the shinobi quickly moves into a kind of sword ‘juggling’, where they whip the blade around one’s body by turning them over one’s arm using the wrist as a pivot point. Style is essential to the Tsuki no Kenbu, after all. Then, applying their sword juggling techniques, the shinobi moves to the offensive, sparring with his partners in this way and trying to land hits while maintaining the called-for grace that Gekkou Tokoshi valued so highly.
[ STAGE: ONE. ]
- Stances: [None.] - Regular Techniques: [None.]
- Special Techniques: - Mikazuki No Mai; Dance of the Crescent Moon Technique. - Description: -- A sword technique that creates two replicas (one bunshin, one real). Together, they attack in a dance of swords that confuses the opponent.
[ STAGE: TWO. ]
- Stances: [None.] - Regular Techniques: [None.]
- Special Techniques: - Hantsuki No Mai; Dance of the Half Moon Technique. - Description: -- This particular sword dance technique improves the Mikazuki no Mai by adding a third replica behind the opponent that attacks with the other two (two bunshin, one real), creating a three-pronged attack around the opponent in a triangular formation, further confusing the possibility of which angle the attack is coming from.
[ STAGE: THREE. ]
- Stances: [None.] - Regular Techniques: [None.]
- Special Techniques: - Meigetsu No Mai; Dance of the Full Moon Technique. - Description: -- The sword-dance of the Leaf is taken on a new level of mysticism as four replicas (three bunshin, one real) attack the opponent from a target's four corners, two in the front and two in the back, equalizing a change of getting attacked from in front or behind and making it harder for the enemy to determine where to fight.
- Shingetsu no Mai; Dance of the New Moon Technique. - Description: -- The increased chakra used in Dance of the New Moon now starts to reveal a greater power. The opponent is completely surrounded by five replicas in a circle (four bunshin, one real), all standing around him and attacking at the same time. With so many replicas working together, the odds of selecting from which angle the attack is coming from becomes very low.[color:6d45=#fff][big][big]TAIJUTSU[/big][/big] [color=#fff]Hyuuga Clan : Jyuuken, The Gentle Fist Description: A testament to their might and finesse, Jyuuken is an art in every sense of the word. Dependent on defensive counters, a focused eye, perfect balance, and quick decisions, it is no wonder that many fear the Hyuuga clan. While each person brings their own unique spin to the style, there are some things which are fundamental in each of them. Posture is almost always natural and relaxed; motion remains even and fluid, with the muscles neither stiff nor rigid. Breathing should also be deep and regular. The practice of Jyuuken requires a combination of vigor and gentleness - neither inertness nor rigidity is allowed. The mind should be tranquil but alert, with consciousness commanding the body in order to achieve stillness within movement - a unity of stillness and motion. Body movements are to be well coordinated throughout the process of conditioning. Though the movements are gentle and slow, each part of the body is in constant motion. While practicing Jyuuken, the weight of the body is mainly borne by the waist and legs. A characteristic feature of Jyuuken is that all movements are carried out in half squatting position and none are for waste. After the basic levels of training, movement speed increases greatly, making Jyuuken a useful offensive style that also focuses on a principle of multiple layers of circles. This layer of circles is essential in understanding the flow of movement in Jyuuken. Known as the Field of Hakke, it is both a spiritual and physical realm of existence which every Hyuuga who practices the style learns to accommodate. For most, there are only three rings surrounding them excluding the center. But for advanced users there is a wider, fourth ring which expands their effective range exponentially. Moving out of these circles during attacks with a combination of perfectly aimed palm and finger strikes, and rapid punches and kicks makes Jyuuken a style easily recognizable. Mostly, though, the style is defensive, using the movement of the enemy as a catalyst for one's own steps. To use Jyuuken in the right way, one has to possess much patience, calm, and a sense for tactics. The Byakugan, of course, greatly enhances the latter for a Hyuuga. Style Basis: Taijutsu Stances: Jyuuken has two primary stances and few special ones.
The first primary stance (available from Stages 1 to 7) has the user standing slightly sideways faced towards the opponent, the front leg extended forward and the back leg turned in the same direction, the knee bending in slightly. The front arm is extended with the palm focused forward, fingers stretched out and held against each other. The other hand makes an L-form shape into the same direction, held in front of the chest with the hand focused in the same way as the other.
A slightly more advanced stance of Jyuuken (available from stages 4 to 7) alters the arms a bit. For one, the user bends through his back leg more, getting him slightly closer to the ground. The front arm remains extended, while the back arm stays in its L-shape in front of the chest. However, the hand of the back arm turns around, the palm now showing upward instead of forward. This stance allows for more offense.
Jyuuken has a few more stances specific for certain techniques. These will be detailed later. The two stances mentioned above, though, are entirely for poise and balance. Their immediate effect is only that they position the user to the best uses of Jyuuken. They do not necessarily add any potential benefits aside from any already highlighted in the style.
Stage One
At this stage, the user is capable to perform the basic Jyuuken stance, and attack with simple kicks and punches. The emphasis is placed on insight already; how to block an attack and counter it. Steady aiming is important as well; how to make your hit at the exact spot you wanted it to land.
Physical power and/or speed are not important at this stage, nor are athletics. Learning patience, control and style is what matters most here. Reaction speed will also be tested greatly, and will increase in beginning users of Jyuuken. At this point, the point of the style is learning. The terms of offense and defense are downplayed whereas growth and experience are promoted. Special Techniques:
None[u] [color:6d45=#fe0][big]HYUUGA NINJUTSU[/big] [color=#fff]Eight Trigrams Palms Heavenly Spin ; Hakkeshô Kaiten Requirements: Genin +- This jutsu utilizes the chakra control gained through Gentle Fist training to release a huge amount of chakra from the user's chakra points when struck. The released chakra blocks any possible attack. The user then spins themselves rapidly to parry the attack, both creating a shield of chakra around themselves and tossing away any would-be attackers. Known to talented Hyuuga's. Eight Trigrams Sixty-Four Palms ; Hakke Rokujûyon Shô Requirements: Genin +- This jutsu closes off sixty-four specific chakra points (tenketsu) on an opponent's body with the gentle fist, effectively eliminating their ability to use chakra for quite some time and making it quite difficult for them to move. It begins with the closing of two chakra points, followed by four more, then eight, then sixteen, then thirty-two, and then sixty-four strikes. Each set of strikes is done at an increasing pace.This jutsu is known to Talented Hyuuga's. | |
| | | KurotsukiBlade Genin
Posts : 37 Join date : 2008-12-17
| Subject: Re: Hyuuga Kuromori Nagato (Reserve Character) Sat Dec 20, 2008 1:02 pm | |
| [color:a41b=#090][big][big]UNIVERSAL NINJUTSU[/big][/big]
Kakuremino No Jutsu (Magic Cloak Of Invisibility Technique) Type: Ninjutsu Requirements: Power 2, Tactics 2 Description: A very basic skill utilizing a sheet to help the user in blending with the background. This is actually only used by Academy students.
Nawanuke No Jutsu (Rope Untying Technique) Type: Ninjutsu Requirements: Control 3, Intelligence 2 Description: A basic skill that lets the user invest chakra into a rope or chain to push the knot in it in the right way, so it loosens. This is used to escape from a rope binding.
Henge No Jutsu (Transformation Technique) Type: Ninjutsu Requirements: Power 3, Willpower 2 Description: A user of this skill has the ability to transform their outer appearance to that of another form, which can be a person or object. However, due to the physical restrictions on the body, the user cannot transform into anything extremely smaller or larger than what they already are. Therefore one could not transform into a shuriken or a small animal. Neither can the user transform into an enlarged or distented form of anything (therefore no such thing as a small human-sized adult elephant, or a human-sized ant). Therefore the user must always be within the same proportions as the original form of the object. Also, the user does not gain any extra physical ability through Henge. (i.e. transforming into a cheetah will not give you a cheetah's speed) Henge is dispelled when the user is touched in an offensive matter. Thus after the user hits the target in their transformed state they revert. System: The Transformation will last for a number of posts equal to the user's Control.
Kawarimi No Jutsu (Body Switch Technique) Type: Ninjutsu Requirements: Intelligence 3, Reserves 3 Description: A common jutsu - used to quickly replace a body with a close by object. Creates confusing among the opponent(s) - creating a chance to escape, or return with a larger strike. Useful for avoiding attacks, and hiding from potential enemies. This is a super-speed jutsu, not a teleportaion one. Kawarimi may be used twice per battle.
Anrokku no Jutsu (Unlocking Technique) Type: Ninjutsu Requirements: Power 4, Control 4 Description: A relatively easy-to-perform jutsu used mostly on stealth missions and when stealing. By concentrating chakra on a basic lock such as a door lock or on a safe, the user can force the mechanism to unlock even without the key or knowing the code. Nothing about the lock will have changed other than it will open once before it locks up again. This skill leaves no signs of tampering.
Kinobori no Jutsu (Tree Walking Technique)/Kabenobori no Jutsu (Wall Walking Technique) *Note: Unable to be taken by Genin at Character Creation Requirements: Power 6, Control 6, Intelligence 4 Description: By focusing chakra into the feet and keeping it balanced, the user can walk up against vertical objects and cling to its surface.
Suimen Hokou no Gyou (The Art of Water Walking) Type: Ninjutsu Requirements: Power 10, Control 10, Willpower 8 Prerequisites: Kinobori no Jutsu Description: A technique that enables the user to walk on the surface of water by concentrating chakra into the feet. It is also used for training; it allows an individual to learn how to control the release of chakra.
Kage Bunshin No Jutsu (Shadow Clone Technique) Type: Ninjutsu Requirements: Power 21, Control 20, Reserves 19, Intelligence 17, Tactics 15, Admin Approval Description: A forbidden jutsu that creates clones - which are not just plain illusions (like the normal Bunshin no Jutsu). Each clone is an exact replica of the user, capable of attacking. A direct hit causes the clone to disappear. Chakra is divided evenly between every clone and the original, so creating three clones would leave the user with one-fourth of his remaining chakra. These kage bunshin are also capable of using any jutsu the original shinobi knows (except Kuchiyose and bunshin jutsu), and each kage bunshin may use one jutsu.
Suiton
+ Mizu Bunshin no Jutsu; Water Clone Technique. + Description: +-- Creates one or multiple identical copies of the original out of water. More similar to Kage Bunshin then a regular Bunshin, water clones are capable of attacking, except each clone is roughly 1/10 the power of the original. The water clone can perform one jutsu that the user also knows. One solid hit will destroy the clone.
+ Mizu Soujuu; Water Manipulation Technique. + Description: +-- Any Mist Shinobi that uses ninjutsu should likely have this technique. This involves learning basic manipulation of the properties of water. Boiling, freezing, and pressurization of water are included in these studies. Freezing is mostly limited to small amounts of water, and boiling includes the creation of steam by further putting chakra into the water. The user cannot perform these tasks on larger bodies of water with this basic study alone.
+-- Furthermore, by learning to draw water from the moisture in the air, the shinobi can use water techniques from Stage 1 without requiring a source of water nearby (unless stated otherwise.)
+ Mizutamari no Jutsu; Water Puddle Technique. + Description: +-- By altering personal body shape, the user can melt into a puddle of water on the ground. This allows the user to hide and set up an ambush, or lose inexperienced trackers.
+ Mizutamari Yusuo no Jutsu; Water Puddle Transportation Technique. + Description: +-- The normal Mizutamari Technique must be learned before you can use this technique, since it requires Mizutamari to be used in conjunction with it. If a user uses the Mizutamari while standing on top of a lake or river or any other water source, he/she can materialize himself/herself back to another source of water. Depending on the rank of the user will determine the distance traveled. This jutsu can be used for surprise attack or escaping combat combat.
+ Mizu no Yoroi; Water Armor Technique. + Description: +-- A thin layer of water covers the user’s whole body. At the basic requirements, it gives protection against fire techniques by dampening the effects, as well as nullifying some Taijutsu attacks. While the armor is on, it constantly draws out small amounts of both the user’s chakra and stamina.
+ Suimenka no Kisoku; Underwater Breathing Technique. + Description: +-- The art of breathing underwater using chakra to remove oxygen from water has been a long handed down secret of the Mist. The length of time and the depth that the diver can go under depends on the Willpower and Control of the user. This technique typically activates whenever the shinobi breathes in water and requires no hand seals. | |
| | | KurotsukiBlade Genin
Posts : 37 Join date : 2008-12-17
| Subject: Re: Hyuuga Kuromori Nagato (Reserve Character) Sat Dec 20, 2008 1:02 pm | |
| [color:706c=#fff]+ Character Background Information: Kuromori-Hyuuga Nagato was born soon after the destruction of the lesser villages. His father killed in the fighting and his mother dying during childbirth, he was brought under the care of a nomadic clan of villagers. Among this clan was a former jounin level shinobi who raised him up, eventually teaching him the shinobi arts and of his origins. Yet, one fateful night his mentor and the rest of the nomads were killed, causing him once again to be an orphan. Fully knowledgeable of his past and his goals, Nagato set out to restore the former village of Amegakure no Sato along with his clan. He eventually was given refuge by the people of Kirigakure no Sato, and trained under their academy starting at the age of 9. Four years have passed since he came to Kirigakure, and he is approaching the final days of his childhood.
RRRRRRRRIIIINNNNGGGGG RRRRRRRRRIIIING RRRRRIIIINGGGGGG
"Aaargh, what the hell."
Rubbing his eyes, Kuromori Nagato looked at the clock. It read 3 a.m.
"DAMN IT!", yelled Nagato. "Stupid thing going off in the middle of the night.", he muttered as he got up and began to dress. Kicking a cardboard box out of his closet, he began to pull long ropes of kasa from its seemingly endless contents. Quickly wrapping his body in the kasa with the exception of his head, Nagato donned his black hakama and haori, then slid open a hidden compartment in his closet. Propped against the wall behind the compartment door was an enormous man sized black and white cleaver with kasa wrapped around it. But a smaller item laid tied to the blade's handle. The headband of a rain shinobi. Looking at it with a face of sadness, longing, and respect, Nagato took the headband and cleaver, hiding the headband in his pack.
"Sensei........."
He took off and left his apartment quietly.
The fog outside had begun to clear by then, revealing the gloomy morning sky of Kirigakure no Sato. Being careful not to wake anyone, Nagato made his way to the Kirigakure gates.
The guards were as usual, drunk while on duty. Nagato had made sure that this would happen, planting some alcoholic beverages within their water canteens the day before. Silently getting past them, Nagato went out the gates of Kiri and into the wild beyond.
ONE WEEK LATER
Nagato walks through the trees in a humid area.
"Heh, this place seems kinda nice. Like a tropical island."
He quickly took that statement away. Almost immediately after saying this, a swarm of mosquitoes found their way to their target.
"Argh! Damn it! Stupid mosquitoes! Get the hell off me!", he yelled as the bug was crushed against his arm kasa wrappings, staining them with brow/green gore.
"I take that back, this place is hell."
Then Nagato noticed something in the distance. A long line of walls lay in the distance.
"Great, finally some civilization. Civilization brings civil people. And civil people means food and hot chicks!". Nagato grinned at the idea of a place to rest.
He had taken but one step before some random shinobi popped up behind him and socked him in the face. Everything went black.
H..hello? What the......oooooohhhh. He was in a dream. He was dreaming of a beautiful girl, carrying him injured through the forest. She had pink hair and beautiful eyes that seemed to dance in the wind.
"This is a great dream.", Nagato thought.
They made their way through the forest, an almost heavenly time of jubilation to Nagato. He had never been able to look at a girl straight in the face for more than two minutes before receiving a punch or slap to the face. But this was heaven.
Until the black haired guy with the red eyes picked him up and threw him into a chair.
"HOLY CRAP. IT WASN'T A DREAM. OH HELL NO.", Nagato thought.
Everything went black........AGAIN.
"Tell me where you are from.", A strange voice echoed through the darkness.
"Who the hell are you? And what the hell am I doing here?", replied Nagato.
"That isn't important. Tell me where you are from or your life will be......shortened.",the man threatened.
"Oh crap, this guy's serious isn't he?", thought Nagato. He decided that it would be best to tell the man.
"Well, it really depends. I mean, I live in Kiri---", said nagato before being interrupted. "GIVE ME A STRAIGHT ANSWER.",said the man.
Nagato felt his strength drain as some strange power went over him. "Oh shit......"
"Alright alright, I originated from a nomad clan and I now live in Kiri."
"Does it look like I care?", replied the man, as he opened his eyes to reveal red and black.
"Alright, can I go now?"
"One more thing.......write down all the jutsu you know on tis piece of paper."
"Okay......but I don't know any ninjutsu."
"........Then you are of no use to me." The man drew a blade.
"Oye, isn't this child abuse? I mean, I'm thirteen for god's sake!"
"So what? I'm fourteen."
Suddenly a gold chakra erupted from Nagato, enveloping him completely just as the 14 year old shinobi attempted to slit his throat. Doing a series of hand seals, the interrogator spouted wood from his hands, wrapping Nagato in wood and holding him down. He went unconscious yet again.
THREE DAYS LATER
Nagato woke in a dark, dark cell.
"OH MY FREAKING HELL. WHY THE HELL AM I IN JAIL. THIS SUCKS BALLS." Nagato, as usual, furrowed his brow with his trademark pissed off look.
Meanwhile, the "guy with the red eyes" and the "pink haired beautiful girl" stood in the hokages office, apparently talking of a murder and a recent attack on Konoha.
Nagato was pissed for them taking his beloved headband and cleaver. Focusing his chakra into strength he never knew he had, Nagato slammed into the wall, shattering the concrete along with a few small bones. He still didn't care. Doing some hand seals, Nagato moved to the admin building, then turned to a puddle as he seeped through the small openings on the edge of the window. Reforming in front of Konoha's elite and the two people he had seen before, he yelled at the top of his lungs.
"GIVE ALL OF MY STUFF BACK YOU ASSHOLES."
The "pink haired beautiful girl" approached him with an angry look on her face. Grabbing him by the neck, she slammed him against the wall.
"Say one more thing and I'll kill you."
This didn't faze Nagato one bit. Dazed by her beauty, he literally melted into a puddle before her eyes, although this time, the puddle soaked into her clothes. She was clearly pissed off to a killing state by now. Doing some hand seals, she dried her clothes quickly, causing nagato to reform. The "Red Eyed man" then threw a kunai at him, wounding him in the arm. As they did this, they left the office in a hurry. Nagato cursed as the blade pierced his skin. Pulling it out, he went after them. finding themselves at the top of a tower, the "Red Eyed Man" grasped his neck and raised him over the edge. Trying as he could, Nagato grasped at the "Red Eyed man's" neck but failed. He was dropped, falling into the river and going downstream.
"YYYYYYYYYYYOOOOOOOOOOUUUUUU AAAAAAAAAAAAAAAAAAAAAAssssssssssssssssssssssssssssssssssssssssssssssshhhhhhhhhhhhoooooooooooooollllllllllllleeeeeeeeeeeee......................"
Eventually, Nagato made it out of the river, and tracked his way back to the village.
FIVE DAYS LATER
Ngato was walking in downtown Konoha when he spotted the girl with his cleaver on her back. Rushing with his hand raised in the air he..............
slapped her on the ass. She turned around pissed as hell
"GIVE ME MY FRIGGIN CLEAVER B!7CH!"
And she did exactly that. Punching him in the ribs and sending him to the dirt, she pulled he cleaver off her back and slmmed it into the ground.....right next to Nagato's head. Nagato grinned as he took a long look at her as she walked away, happy that he had seen such a beautiful girl and that he had also been given back his cleaver. Then he passed out as blood filled his lungs.
2 WEEKS LATER
Nagato awoke to the clean white walls of a hospital room. The light had just begun clearing through the windows of the building as the sun rose into the morning sky. Nagato look ahead. A nurse was attending him.
"How long have I been here?"
"Three weeks."
Looking a bit shocked, Nagato ripped the IV drip from him arms, and ran out of the hospital at a frantic pace...........only to be stopped by chuunin level mizu shinobi. Grabbing him, they shunshined to the Mizukage's office.
The Mizukage looked out the window, the back of his seat hiding his figure.
"What do you want, old man?", said Nagato.
Turning slowly in the chair....the Mizukage grimly aid these words.
"You are hereby banned from coming to Kirigakure ever again."
With these words, the chuunins spirited him off to the edge of Kirigakure, throwing him into the woods. Nagato couldn't believe this.
END OF PART ONE
PART TWO: THE PATH OF MISERY AND REVENGE
The light of noontime sun beamed as Nagato exited his new apartment in Konoha. Many were surprised to see him, particularly the Haruno girl.
+ Character Additional Information: Surviving Rain shinobi, Abnormally high chakra level.
l(: ²² :)l | |
| | | KurotsukiBlade Genin
Posts : 37 Join date : 2008-12-17
| Subject: Re: Hyuuga Kuromori Nagato (Reserve Character) Sat Dec 20, 2008 1:03 pm | |
| WHAT NOW SARU?!?!?!??!?!?!?!! I JUST PWNED YOUR ASS! | |
| | | talkman12
Posts : 5 Join date : 2008-12-19
| Subject: Re: Hyuuga Kuromori Nagato (Reserve Character) Mon Dec 22, 2008 6:45 am | |
| wtf? i was mizukage a few days ago and i never did that | |
| | | Hashirama Admin
Posts : 75 Join date : 2008-12-17
| Subject: Re: Hyuuga Kuromori Nagato (Reserve Character) Mon Dec 22, 2008 7:28 am | |
| - talkman12 wrote:
- wtf? i was mizukage a few days ago and i never did that
dude ask for your spot back and bio approved alll you need now is the hyuuga clan leaders approval. | |
| | | KurotsukiBlade Genin
Posts : 37 Join date : 2008-12-17
| Subject: Re: Hyuuga Kuromori Nagato (Reserve Character) Mon Dec 22, 2008 10:12 am | |
| Lol........i just posted this to pwn saru. It doesn't need to be approved. | |
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| Subject: Re: Hyuuga Kuromori Nagato (Reserve Character) | |
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| | | | Hyuuga Kuromori Nagato (Reserve Character) | |
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